legendary album from the golden period for the electronic music of the seventies. Michael Hoenig played earlier in Agitation Free, helped Klaus Schulze on the project "Timewind. In April 1975 he took part in the Tangerine Dream concert at Royal Albert Hall in London, and later replaced Baumann at the first Australian tour of TD has also recorded with Manuel Gottschingiem. Michael is a perfectionist in which each plug wire and had to have its own label. Very independent, never zagrzał more space. In 1978, it seems his solo album.
Michael Hoenig - Departure From The Northern Wasteland
suite on the cover of the standing items, the effects of sea and gentle melodies, galloping mined sequence. Itself is rather monotonous, ear focuses more on what's going on around her.
undercoat is so different solos, every move made attractive sound events. Loop for 12 minutes sounds bluntly works on emotions, then the mute .. And at this point is probably the most interesting. In the background the sound of water and isolated pure solo playing wistful melody. 2. Hanging Garden Transfer (10:56) Hoenig further sequential likes to play with passion. Here, however, is not as uniformly to the backing. Melodies in this composition, tone sounds cleaner, and basso ostinato looping itself is often a complicated system of independent melodic. Similarity to the first solo recordings by Peter Bauman. 3 Voices Of Where (6:19). From the speakers comes a calm and romantic song beautifully played in climates Gottschinga Manuel and his "New Age Earth." Surprisingly, in the fifth minute turns into a very bold, almost avant-garde experiment. Michael uses the tapes from here crafted a human voice played in different ways. It gives the effect of being in the head, a person suffering from severe hearing perception. An amazing piece that breaks off suddenly. Sun And Moon (4:16) The most optimistic story played with verve and enthusiasm. Friendly ears tune (would give a whistle under his breath while walking), summarizes all the material. Moments of pathos and comforting. Escape from the north the land was very successful. Very interesting music, sounding perhaps a little archaic, but this is its charm. It is a pity that the author did not have enough creativity for the next few albums. However, it is testimony to his time when playing analog enjoyed great popularity and musicians seeking their identity through experimentation with contemporary electronic novelties.
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