In the 70's Klaus Schulze objected strongly to the publishers with a 'live'. In his view, the then technology was not able to provide an adequate level of recordings registered at concerts. And Klaus was well aware of how important is the quality of his recordings for the full collection of music of this kind. Undoubtedly he was right in that regard and, although, to the despair of his ardent admirers, had a whole lot of fantastic material recorded live long with the decision to stop the release of this album. Klaus finally broke up. The decision was made, and thus was released album, with no major digressions, just ... Live ... - It was to be both the first and last release of concert recordings (so assured Klaus on the cover a black disc). How much fun to say in retrospect, that statement now know not only the most ardent admirers of creativity KS. In the nineties, because there was a 'flood'. In connection with new possibilities, which carried with them digital technology, we have been inundated so many different materials from the concerts Klaus from the 70's by the 80th to the 90th, that the role of music lover slowly KS became very far from enviable, in financial terms. Subsequent editions, as well as recent releases "Contemporary Works" and a concert in Osnabruck'u can 'dry' pockets, even the fullest.
Klaus Schulze - ... Live .. .
Then, get us a completely different sense. This word contains the whole essence of the phenomenon, known as electronic music. This is without a doubt one of the greatest achievements of Klaus Schulze, and thus one of the greatest songs in the history of this music, to this day. It comes from the so-called. Moondawn period, a concert from 1976, carefully Meta Music Festival, which took place on the 5th of October in Berlin. Located at least two elements that constitute the greatness of this long, because as many as 51 minute composition (Although it shortened the original release this track to suddenly half an hour). The first is the incredibly cleverly constructed mood. The song is growing quite long, but with all the subtlety and innate genius of the author from the first minute you get into a state that R. Waters of Pink Floyd would call "comfortably numb". At the same time I find here a unique, spatial aura of space travel, though no doubt someone else can have quite different views. The second element, who knows whether or not it is equally important for this recording, is (of all) the presence of a talented drummer and at the same time musical partner, Klaus a little later - Harald Grosskopf. It was thanks to him Sense 'live' from scratch every time you listen to him. His playing, intuitive, full of grace and panache, while incredibly hypnotic, makes the dead come to life under the electronic structure of the human hand dotnięciem. The duo of Klaus Schulze create unforgettable music here.
second disc opens with a set of free Heart. It lasted half an hour composition, dating from the same concert, which Bellistique, which starts as a subtle, but then gains momentum trance and tempos. The song can be divided into several 'sections', each of which next is faster, louder and more 'trendy'. Tempo changes are clearly stressed, which is also not typical of KS. The song ends with a reassuring epilogue. At the end of Klaus Schulze has prepared for us probably the biggest surprise. Although it might for those who knew the Dune board was not completely surprised. Dymagic track, so unless you can at all use of such words here, a song. Well, do you prefer a song. Was recorded at a concert in Amsterdam, October 27, 1979 year. This time Klaus on stage accompanied by a well-known, inter alia, of The Crazy World of Arthur Brown as well as cooperation with other contractors, such as Alan Parsons, a rock singer - that Arthur Brown in person. His highly charismatic vocals and unique way of singing and chanting at times the text gives a song Dymagic nature of some of the original, a cult ritual. The pace of recording, as was the case with the previous track, is growing and seems more obsessed. As if he goes to the rescue of Brown's singing. Undoubtedly, this is a kind of experiment that can happen in this case did not fell so convincingly, as Dune said, but a good ending of this remarkable publication, which is the first official CD with recordings of live electronic music veteran - Klaus Schulze. It should also pay attention to the 'Tail' photo from the cover ... Live ... . We see the main character, an inverted back and majstrującego us something on the 'cache electrical closet' - ie. niezbędniku every self-respecting creator of electronic music at that time. And it is quite bulky panel vertically oriented and contains a whole lot of switches, sockets, inputs etc, etc.. In addition, below when it is set to a number of keyboard synthesizers, as well as left and right side is quite a lot of various kinds of electronic equipment, which the ordinary layman (like myself) nothing and says nothing. The whole was mounted mirror with sizes corresponding to 'control panel', designed to facilitate the orientation of a person unless outsider. I would not be can be nothing 'waste', were it not for the fact that the photo was doctored so that we have the impression that disturbingly unearthly light breaks through the entire electronic set, blurring the outline sojącego man and the red glow pouring everything. In this context, the SC looks like ... Electronic messiah?
rating: 9 / 10
Author- Psychonaut
gomah
Portions of CDuniverse
and memorable - For Barry Graves
0 comments:
Post a Comment